Flume album cover background12/19/2023 ![]() ![]() Tove Lo Goes From ‘Disco Tits’ to Disco Dildo in ‘2 Die 4’ Video Tomás Mier J I say hi, you say hi, we stay high You look so pretty, yeah I'm sweatin' from head to toe I'm wet through all my clothes I'm fully charged, nipples are hard Ready to go I'm sweatin' from head to toe I'm wet through all my clothes I'm fully charged, nipples are hard Ready to go No, I don't, I don't have a type Take a hit Come on over tonight. Appreciate it Touch me like you know what you do and what you don't But I'm feeling jaded Know your own love, I don't fuck with no glove So why complicate it? Let.Tove Lo dared to bare on Friday as she flaunted her bare breasts on stage during a very raunchy performance at LA Pride in the Park Festival alongside fellow singer Fletcher.Today, Tove Lo releases the video for her latest single, "Disco Tits." It was directed by long-time collaborator Tim Erem (credits: Tove Lo's "Fairy Dust " "Moments" Nick Jonas' "Close" featuring Tove Lo Rihanna's "Work" featuring Drake Major Lazer's "Lean On" and more) and shot on location in the California desert.Lirik Lagu "Disco Tits" Tove Lo I say hi, you say hi We stay high You look so pretty, yeah I'm sweatin' from head to toe I'm wet through all my clothes I'm fully charged, nipples are hard Ready to go I'm sweatin' from head to toe I'm wet through all my clothes I'm fully charged, nipples are hard Ready to go No, I don't, I don't have a type Take a hit Come on over tonight Take a hit You can. Originally published on The Cut, the cultural centre of the entire world.Tove lo titties. But there are dogs, so adventurous visitors beware.įeelin’ it? Check out more of Zawada’s work, or listen here. PSA: The plant on Skin Companion EP 2 is called a Crown of Thorns and it’s found under a gigantic Aloe Vera in Zawada’s garden. ![]() “I recognised how much album art influenced my reading of an album,” he said, and what a colourful interpretation Zawada engineered.Īlas, we’re calling it: our favourite producer X artist collab yet. If anyone leverages off fear, it’s Zawada. A fitting token, we think.He used to find dictating that aesthetic, of what music ‘looks’ quite terrifying. Vicariously, Zawada and Future Classic both share victory for Flume’s ‘Best Dance/Electronic Album’ (art) Grammy. The end result is a testament to Future Classic relinquishing control, allowing Zawada & Flume’s imagination to flourish. I love the way he embraces technology to twist and contort things from the real world in alien ways.” “I’ve always been a huge fan of Jonathan’s work so it’s been a privilege to have him involved in the visual aesthetic around Skin … Visually I’m interested in the contrast of organic and synthetic, Jonathan’s work so cleverly depicts this so it’s been a natural fit for the music. The man behind Flume, Harley Streten only had praise for the man behind the organic wonders, It was an entirely intuitive process, in which a visual narrative flows from the physical records to Zawada’s creative direction of visuals and set design for Flume’s legendary live performances. From audio prototype to visuals visuals to music.Īfter some mood boarding AKA brainstorming in the creative world, Harley was captured by a miniseries of botanic renderings Zawada privately produced. The true-to-life botanicals we see on record covers for the Skin LP, Skin Companion EP 1 & 2 are elaborations of this, possibly explained by horticultural influences from Flume’s mum. Skin’s aesthetic was developed at the same pace as the tunes, with Harley and Zawada going back and forth. Instead of being engaged by a label upon the completion of an album and concrete campaign schedule with a tightly controlled concrete vision, the creative relationship began as a mere seed. It almost goes without saying, that Flume himself, is anything BUT conventional. These guys, at the helm of the Australian independent record label that Flume is signed to, were laid back enough to relinquish control and let the creatives do their thing.Working with Flume & FC defied most previous music-based jobs Zawada had. ![]()
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